3014272510http://paper.people.com.cn/rmrb/pc/content/202602/28/content_30142725.htmlhttp://paper.people.com.cn/rmrb/pad/content/202602/28/content_30142725.html11921 让乡亲声音听得见、有回应（实干显担当 同心启新程·代表委员履职故事）
Back in 2016, Hayao Miyazaki, the director of movies such as Princess Mononoke and Spirited Away, was shown new technology that used AI in order to animate models. Faced with a zombie that utilised its head to move by knocking its skull against the ground and wriggling its body like a fish, Miyazaki declared what he had seen was “an insult to life itself”. It’s hard not to watch the clip without feeling slightly seared – but now, a decade later, the ashen-faced developers from that room have sufficiently recovered to make their work widely available.
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With Resident Evil Requiem, we focused on enhancing the presentation quality of the protagonist through an upgraded version of RE Engine to deepen the player’s immersion in horror. For example, each individual strand of hair and beard is rendered as a polygon, allowing it to move realistically in response to body motion and wind. The way light passes through his hair changes depending on how the strands of hair are overlapped as well. This detailed expression of texture is one of the many details that we would especially love for our fans to see.
In addition, staffers at other hyperscalers, including Microsoft and Amazon, demanded that management also prevent the Pentagon’s unrestricted use of their AI products.